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NATIVE INSTRUMENTS FREE REVERB MANUALYou should actually read the manual (seriously), as it not only includes detailed descriptions of parameters and tons of sound design tips, but also a great interview with Dr. And as I often find with the freebies or “lite” editions, the simplicity of the UI is a draw, not a drawback – whereas many paid plug-ins do seem to have a load of knobs on them to convince you they’re worth your money.Ī dense room called Grounded, which you can also turn to metallic and granular colorsĪ rich hall called Airy, also capable of a broad range of more experimental effects you might not normally expect of a hallĬosmic, a more far-out ambient sound tool, which works really nicely with modulation It’s the sort of thing you might find in a clever Max or Reaktor patch, but now it’s here for use in any plug-in host. With filters and feedback, you can also use this for quite some interesting flanging / comb filter effects. And predelay also has host tempo sync, so those effects can be clocked to your project tempo, too, for precise rhythms. You can also use the predelay to turn this into a delay effect with feedback, depending on how you set the parameters. NATIVE INSTRUMENTS FREE REVERB SOFTWAREYou’ll need to create a NI user account and download the Native Access software if you don’t already have it.Okay, so why would you want another reverb on top of all the ones you have? The key here is that NI have combined multiple algorithms into a simple, clean interface, and packed in freeze and modulation. NATIVE INSTRUMENTS FREE REVERB FOR FREEYou can download it for free from NI’s website until January 16, 2020. CompatibilityĪs always, the plug-in is available for macOS 10.13 and up and Windows 7 and up in VST, AU and AAX formats (64 bit). Those are a quite a lot of creative features for a freebie! We don’t know if NI plans to release an enhanced commercial version of Raum in the future (Raum XT?), but for a free reverb, this already looks really useful as it is, and I’ll download it for sure. You can also automate this control to introduce different bits of the source material into the frozen reverb, and use it in combination with the feedback to change the overtones. It freezes the reverb tail, instantly creating endless ambient washes of sound. Use it in combination with the filters and modulation, and Raum becomes more of a creative sound design tool than a reverb.Īlso, the little snowflake in the GUI isn’t just for show. This lets you transform simple sounds into mesmerizing sonic textures. ![]() Turn it up, and the feedback introduces interesting overtones into the sound. Where it gets interesting is the feedback control in the predelay section. You can choose from different modes like “airy” and “grounded”, which are indicated by the GUI colour scheme. There are also low and high cut filters, as well as a knob for adding modulation to the reverb tail. It’s got all the usual controls for predelay, decay, diffusion, size and damp. On the surface, Raum looks like a pretty straight-forward reverb plug-in. This year’s holiday season seems to be all about reverb, and with NI Raum, you can add yet another one besides Arturia’s Rev PLATE-140 to your collection for free. ![]() In recent years, we got Kinetic Treats, Phasis and TRK-1 Play. Native Instruments’ annual Christmas gift has become a beloved tradition.
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